The Cambridge Quarterly

Articles

Felicity Rosslyn

Literature for the Masses: The English Literature Degree in 2004
Cambridge Quarterly 2004 33: 1-10; doi:10.1093/camqtly/33.1.1 [Abstract] [PDF] [Request Permissions]  

Sarah Fulford

Painting the Sublime in Visible Syntax: Derek Walcott's Tiepolo's Hound
Cambridge Quarterly 2004 33: 11-27; doi:10.1093/camqtly/33.1.11 [Abstract] [PDF] [Request Permissions]  

Martin Golding

Art as Spectacle: Two Recent Exhibitions about Paris
Cambridge Quarterly 2004 33: 29-40; doi:10.1093/camqtly/33.1.29 [Abstract] [PDF] [Request Permissions]  

David Gervais

Review: In the South: Adrian Stokes and the ‘Quattro Cento’ • Richard Read: Art and its Discontents: The Early Life of Adrian Stokes
Cambridge Quarterly 2004 33: 41-50; doi:10.1093/camqtly/33.1.41 [PDF] [Request Permissions]  

Derek Attridge

Review: The Path to the Poetics • Andrew Ford: The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece
Cambridge Quarterly 2004 33: 51-54; doi:10.1093/camqtly/33.1.51 [PDF] [Request Permissions]  

Judith Woolf

Review: Time Traveller: Giovanni Finzi-Contini's Voyage Round his Grandfather • Giovanni Finzi-Contini: A.M.'s Longest Journey
Cambridge Quarterly 2004 33: 55-58; doi:10.1093/camqtly/33.1.55 [PDF] [Request Permissions]  

Joanne Waugh

Review: The Arresting Development of Little Red Riding Hood • Catherine Orenstein: Little Red Riding Hood Uncloaked: Sex, Morality and the Evolution of a Fairy Tale
Cambridge Quarterly 2004 33: 59-62; doi:10.1093/camqtly/33.1.59 [PDF] [Request Permissions]  

Rosemary Mitchell

Review: Liquid Fairy: The Nineteenth-Century Fairy and Cultural Anxieties • Nicola Bown: Fairies in Nineteenth-Century Art and Literature
Cambridge Quarterly 2004 33: 63-66; doi:10.1093/camqtly/33.1.63 [PDF] [Request Permissions]  

Andrew Radford

Review: Evolutionary Spectacles • Jane R. Goodall: Performance and Evolution in the Age of Darwin: Out of the Natural Order
Cambridge Quarterly 2004 33: 67-70; doi:10.1093/camqtly/33.1.67 [PDF] [Request Permissions]  

Alan Allport

Review: Georgian Revival • Christopher Hitchens: Orwell's Victory
Cambridge Quarterly 2004 33: 71-73; doi:10.1093/camqtly/33.1.71 [PDF] [Request Permissions]  

Alex Tickell

Review: The Dissonance of Dissent • Margery Sabin: Dissenters and Mavericks: Writings about India in English, 1765–2000
Cambridge Quarterly 2004 33: 74-77; doi:10.1093/camqtly/33.1.74 [PDF] [Request Permissions]  

Douglas Field

Review: Literary Responses to Political Violence • Alex Houen: Terrorism and Modern Literature: From Joseph Conrad to Ciaran Carson
Cambridge Quarterly 2004 33: 78-80; doi:10.1093/camqtly/33.1.78 [PDF] [Request Permissions]  

David Amigoni

Review: Darwin Below, George Eliot on Top: The Tenuous Holding Ground of Victorian Realism • Philip Davis: The Oxford English Literary History, Vol. VIII: 1830–1880: The Victorians
Cambridge Quarterly 2004 33: 81-84; doi:10.1093/camqtly/33.1.81 [PDF] [Request Permissions]  

Alive Or Dead?: The Letters of Marsilio Ficino
Cambridge Quarterly 2004 33: 85-96; doi:10.1093/camqtly/33.1.85 [PDF] [Request Permissions]  

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